Venu's journey along a path of self destruction to self recognition and eventually self assurance is perfectly secure in the hands of this amazing actor, who has time and again enthralled us with his magical feats onscreen. Mammootty lends his heart and soul to Venu, and comes up with a well rounded and emotionally raw performance that will, without doubt leave your eyes moist on several occasions. There isn't a hero around there is merely a human being, who has finally decided to be human. The dazzling light that eggs them to live on, shines in abundance. Together, they walk out into a world where there is so much more to be done. The plot framed by a long flashback comes to a standstill, as Nandini asks Venu if it's time to go.
A teary Nandini is overjoyed to hear the news, while Venu looks on at the boy with abhorrence writ large on his face. When fortune goes for a toss, Shambhu reappears again declaring to all and sundry that his son is hale and hearty once again. Sometimes, questions have no point whatsoever, and answers are best left unuttered.
When Shambhu (Sunil Sukhada) looks at Venu impassively, after having been harshly reprimanded by the latter for having sent his sick son to play, you sense that reason has indeed gone for a ride. There are also times when a mere visual conveys even more.
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Ranjith Sankar takes up a crisis and breaks it down to a realistic, deeply affecting, human level, through a series of dialogues that are heart rending. As any kid of his age, he is pretty unsure of himself, and yet nurses a kind heart that reaches out to those in need. Over the years, perhaps he has got used to the expectations that have been heaped on his young shoulders, and has learned to live with it with a shrug. Anand is no exception, though he amiably gives in to the demands of his parents with a grin, and at times a raised brow.
The multitaskers that parents these days aspire their children to be, have to dabble with manifold skills any given moment. 'Varsham' is another stringent reminder of the uncertainty of life, and it will remain the greatest irony that as we walk out of the theatre back into our busy lives all in agreement, very little will have changed overnight. When the circle of consolators has dissolved and the very last word of solace has been spelt, the couple is left alone to revert to their previous selves and realize how barbed a process it could be, especially when the purpose of their lives has long disappeared into oblivion. Never before perhaps, has the impact of a loss been so efficiently captured in Malayalam cinema, and it's remarkable that the film takes it time for letting Venu and Nandini regain the lost smile on their lips, fragile though it is, when it finally makes a reappearance. In 'Varsham' there is a role reversal taking place Venu is unable to understand why life has been so unfair, and is troubled by Nandini's efforts to tether together what is left of her life. The woman is astounded by her husband's passivity and is quick to decipher it as indifference.
It is impossible to ignore the allusions that Ranjith Sankar's 'Varsham' bear to Robert Frost's celebrated dramatic poem 'Home Burial', where in a few narrative lines, the poet unravels a couple inundated by grief caused by an irreparable loss.
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